Monthly Archives: June 2012

Structuring a worship team: are you with the band?

[Portrait of Oscar Moore, Nat King Cole, and Wesley Prince, New York, N.Y., ca. July 1946] (LOC)

[Portrait of Oscar Moore, Nat King Cole, and Wesley Prince, New York, N.Y., ca. July 1946] (LOC)

I’ve been involved in “church music” for over a decade, and I’ve seen a few different approaches to structuring worship teams. I stumbled across an interview with Pastor Joel at Mars Hill the other day and it led me to think about why I have always preferred a distinct worship band as opposed to a more nebulous team:

Bobby Gilles: Kenosis is one of several Mars Hill worship bands. For people unfamiliar with the difference between these bands and the typical worship team format of many contemporary churches, can you explain? Why do you have a name like “Kenosis” rather than “Mars Hill Ballard worship team” for instance?

Joel Brown: Essentially since the beginning of Mars Hill, we have run our worship teams on a more band-focused model. Initially this wasn’t an intentional decision. When you take a bunch of recently converted local musicians and ask them to lead the music, they just do what they know, and what they knew was how to play in a band and write songs about what they were experiencing.

While it’s not the only way we structure things today at Mars Hill, we do see a lot of benefits to leading this way. If your musicians are experienced, arrangements have the potential to be more dialed in and uniquely tailored to a specific church or location. Though the word is overly used today, this can sometimes help music to have a more missional intentionality. The band then is ministering to a specific people at a specific time and place rather than strictly playing covers of music that someone else created somewhere else for someone else.

We use band names to bring distinction to who we’re talking about. In some ways it can look like it’s meant to draw attention to the ‘artist’ and off of Jesus or the songs to Him, but it’s honestly more of a practical thing than anything else.

As Joel intimates, It’s a structure that people can easily relate to whether as musicians or listeners. I love that there is a sharp clarity to it (I’m in the band) without losing the ability to collaborate with other musicians. Most of all though working as a band enables a strong musical understanding to be built as a focused team. Every practice builds on the foundation of the one before- creating a repertoire, defining a “sound” and learning to arrange music together. This creates trust musically and gives the band space to participate in more ways than just playing an instrument: space to create, sing, dance, pray, enjoy, commune (with God and fellow man) and in each of these things worship our creator.

The bit that has always grabbed me as with the interviewer is that the Mars Hill bands are named like, you know, “real bands”. It’s perhaps the least important point, and yet it makes a tremendous difference to how people perceive what we do. I dread people asking me what my band is called because my band has no name; it’s name is simply an entry on a church rota: “Ben’s Band”. If anyone has any suggestions, please feel free to suggest them and I will put them to the band!

The rest of that excellent Joel Brown interview by Bobby Gilles can be found here:

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You Who Flung Stars…

Jet in Carina: WFC3 UVIS


An oldie, and yes, the ellipsis is part of the title. Pretentious? Quite possibly.

This was the first song I wrote for my band at Northwest Church; I wrote it in 2008 and we recorded it as a band in the November of that year. I wanted to encapsulate the Bible and the Gospel in a song, “from Genesis to Revelation” (as Junior Murvin famously sang); I can’t remember where the inspiration came from for the music.

We have used this song in both the recorded arrangement below and also a quieter down tempo version we did for Christmas 2010. It seemed to work quite well either way.

You Who Flung Stars Chord Chart (PDF)

© Ben Lewis 2008


Electric Guitar/Vocals: Ben Lewis
Guitar: Bryn Morgan
Bass: Louise Lewis
Drums: Tim Brittain
Backing Vocals: Claire Hickman/Zoe Cooley
Trumpets: Dan Garbutt
Studio/Mix/Mastering: Andy Smith (Influential Studios

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